But then I’m also in other bands, which are collaborative. That’s generally twelve songs, so if you do the math it’s not an insane amount. Usually I do one solo album a year, which takes about eight or nine months to write and record. You know, it seems like it’s faster than it really is. How have you maintained such a rapid consistency? The speed at which you bring out music is quite remarkable. ![]() In the last decade you’ve released fifteen records. Oh yeah, but it was a fun challenge to make it sound more like our current style but still stay true to how it sounded at the time. Plus, half that record we’ve never played live before. I think I’ll revisit poppy songs less on an album nowadays, so it’s fun to rearrange these songs. Manipulator is the same, it’s the type of songwriting I don’t do anymore, or at least to that degree as much on one album. It’s fun to rearrange and give the songs different spins. Melted is simple, it’s garage pop music and not necessarily the kind of music I make anymore. I suppose it’s also been giving you a fresh outlook on older songs you may not have played in a while, right? It felt like an interesting thing to do, to see if it worked or not. ![]() We’re doing residencies you know? When you play more than one show in a particular town then there sort of has to be a good reason for it, so we felt like it would be cool to try and experiment with playing multiple albums. As we speak you’re in the midst of a very special tour, performing full albums over two nights. Back in October, in the midst of a unique European tour, the American musician sat down with Jack Parker to reflect on the last ten years. ![]() ![]() There aren’t many artists out there today who have had as prolific a decade as the multi-talented garage cult hero Ty Segall.
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